![]() Other familiar features only sweeten the deal, including in-body image stabilization and an articulating touchscreen. And though autofocus isn’t class-leading, subject-tracking is nevertheless impressive. While we were disappointed by the 1.29x crop on 4K/120p footage, video quality otherwise proved clean and crisp. With no recording limits, we were able to shoot in 4K for more than two hours before the battery gave out. Grapple with the endless menus and you’ll find countless profiles for color grading in post, while using a CFexpress card also unlocks three Apple ProRes codecs. Pairing a stacked CMOS sensor with Fuji’s X-Processor 5 gives it a huge spec sheet boost: you can record 6.2K/30p video internally with 4:2:2 10-bit color depth. But it also delivers pro-quality video performance without the full-frame bulk. It’s expensive for an APS-C camera and lacks the retro charm of recent Fuji models. The Fujifilm X-H2S is one of the most powerful hybrid cameras you can buy. ![]() ![]() The simplified UI is much more intuitive, too. The touchscreen is now fully articulating and able to flip, while boosted battery lets you capture over 75 minutes of 4K footage on a single charge. In terms of usability, we think that the A7S III boasts many improvements over its predecessors. We were also impressed by the strength of its feature set: a full-size HDMI output, class-leading autofocus, support for several picture profiles (including the popular S-Log) and the ability to record clips longer than 30 minutes with no overheating issues were all signs of a serious video camera. The sensor’s relatively low resolution of 12.1MP does rule out 6K and 8K recording, but the powerful Bionz XR processor allows 4K footage to be recorded at up to 120fps for smooth slow-motion playback. With 15 stops of dynamic range and an expandable ISO of 40 to 409,600, not to mention an effective in-body image stabilization system, we discovered in our review that it’s able to capture beautiful videos in conditions that would thwart most of its competitors. The video star of Sony's A-series line, the A7S III uses a back-illuminated full-frame sensor to deliver best-in-class 4K video in a range of lighting situations. Read our in-depth Panasonic GH5 Mark II review Consider it if you don't have the budget (or perhaps the need) for the GH6. Its sensor may be small (which does limit its low-light capabilities), but our tests revealed it to be a mighty video camera. That the GH5 Mark II includes all this in a compact, lightweight and weatherproof body with effective IBIS makes it all the more impressive. Its overall video skills remain strong as well: 10-bit 4:2:2 footage can be recorded internally or externally, there’s a wide variety of frame rate options and various anamorphic video resolutions, plus Panasonic’s flat V-Log profile gives you 12 stops of dynamic range to play with in post-production. At the time of writing, you won’t find these on any other mirrorless camera. While it doesn’t offer much of an upgrade, the Mark II stands out by virtue of its built-in wireless live streaming capabilities. The original Panasonic GH5 was possibly the first mirrorless camera that did both 4K video and stills photography well, but its successor arrives at a time when plenty of rival models share that trait. Read our in-depth Panasonic Lumix S5 II review Serious filmmakers will find the Lumix S5 IIX even more compelling, but features like unlimited recording times mean the S5 II is a fantastic tool for high-quality video. Paired with image stabilization that’s superbly effective for handheld work, it’s a great choice for run-and-gun videographers, even if the 1.5x crop on 4K/60p video can be limiting. The S5 II is Panasonic’s first mirrorless model with phase detection AF for video, and it works dreamily. ![]() The S5 II can also record uncropped footage using the sensor’s full 3:2 aspect ratio, which offers welcome versatility when cropping content for social. Usefully, 10-bit recording is available across almost all resolutions and frame rates. Though marketed as a hybrid, video is where the S5 II excels: in testing, we found the quality of its 6K/30p footage excellent, with rich colors and wide dynamic range. Despite its compact design, it suffers no shortage of dedicated dials and buttons all that’s missing is a tally light. Relatively small like its predecessor, we found it reassuringly solid yet comfortable to use during our review. A timely update to one of our favorite video cameras, the Panasonic Lumix S5 II cements that status with a fleet of improvements.
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